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All the material was recorded, mixed and mastered by Jim at his Roots Cellar studio in St. John's, Nfld. He produced, engineered, played most of the instruments and sang lead.
The first EP opens with "Intro (Joesph)," a short number featuring Jamaican-born Newfoundlander Keith (Joseph) Rickman talking about Jim in an excerpt from a forthcoming documentary about this multi-talented man being made by his wife Lillian.
Jim played me "Be Free" and "Leslie Street" in his studio when I was in St. John's for the 2010 Juno Awards. I liked them both right away and I'm glad that more people will finally be able to hear them. "Be Free" is a melodic roots reggae number with female harmonies not unlike those of Bob Marley's I Threes. It also comes in a dub version. "Leslie Street" is lyrically moving and showcases the best of Jim's voice along with some well-played guitar lines.
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I've heard Jim perform Marley's "No Woman No Cry" before, but he'd never recorded it until recently for the 2 EP. And he goes one better by including a dub mix along with his interpretation of the reggae classic. Rory Hoffman, the only musician other than Jim to contribute to these two records, adds some sweet saxophone and clarinet to both.
The 45-second "Here Come the Katz" leads into "Cats Will be Katz," a largely instrumental number with jazz elements and the recorded debut of Lillian's voice. I prefer "Me," a rhythmic track with a fun mix of blues, pop and harmonica by Hoffman.
The third EP should be arriving soon, and all of them can be purchased from Jim's website. Each EP purchase entitles the buyer to a three-dollar coupon towards the purchase of Up That River.
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