Showing posts with label Lydia Loveless. Show all posts
Showing posts with label Lydia Loveless. Show all posts

Friday, March 22, 2013

SXSW 2013 day four: a Waco afternoon turns into a Specials night


It’s been my tradition since first coming to the South by Southwest Music Festival to cross Town Lake to the South Congress neighbourhood and the Yard Dog Gallery for the Bloodshot Records party and margaritas across the street with the Waco Brothers. It’s a tradition that was continued this year and I don’t see it ending as long as all the involved parties are in Austin.

I arrived at the Yard Dog at 3 p.m., where I caught Lydia Loveless’ last song. I would have liked to have heard more, since I’m a fan, but luckily I caught her in Toronto a few months ago.

Luke Winslow-King
Lagunitas IPA was selling for three dollars, but it was just a buck if you kept your cup for refills, so I ordered my first beer while waiting for Luke Winslow-King to begin at 3:15 p.m. He sang and played guitar and was accompanied on vocals by Esther Rose (who added percussion with both a rub board and by striking a horseshoe with a screwdriver) and an upright bassist. The trio had a rootsy, folky, down-home sound that was nice, but not particularly inspiring.

I went inside the gallery to check out its great collection of folk art and then back outside to the Bloodshot merchandise table where I bought both a Bloodshot work shirt and bottle opener for just five dollars.

Waco Brothers
I then went to Guero’s and bellied up to the bar for margaritas and conversations with old friends, new friends and all of my friends in the Waco Brothers. I was going to briefly check out and go down the street to Jo’s Coffee to see The James Hunter Six, but Wacos drummer Joe Camarillo had already bought me another margarita so I stuck around and chatted more until just before 5:30 p.m. when the band left to take the Yard Dog stage.

I don’t know if you’ll find a more entertaining rock and roll band than the Wacos, and this set featured a fiery set of original songs and choice covers. Jo Walston from The Meat Purveyors jumped on stage for George Jones’ “White Lightning” and Jon Langford reciprocated by jumping into the crowd during Johnny Cash’s “Big River,” but the boys were generally better behaved than at past Bloodshot parties. And yet another Friday at SXSW tradition was upheld when Craig Laskey kept drinking my beer.

Green Day
I made a pitstop back at the condo before it was time to go to ACL Live at The Moody Theatre to see Green Day. You can read my Spinner review of that outstanding show here.

When Green Day had finally finished after playing for more than two hours, I dropped my laptop off at the condo and went across the street to The Ginger Man to see The District Attorneys. Some friends are working with the band, and they should because it’s really good. The relatively young Athens, Ga. group features two guitars, drums, bass and keyboards, plays melodic alternative rock, and goes down fine with a pint of IPA. I’d be happy to be in court with these guys.

The Specials' Terry Hall
The Specials were playing again at Stubb’s at 12:30 a.m., and I got there early so I could grab a tallboy of Lone Star and get right up front where hopefully I’d encounter more real fans of the second wave ska kings than I did the night before. A few people spotted my Skinheads Against Racial Prejudice T-shirt and waved me over to join them. It was a similar set to the previous night, with perhaps a few more songs thrown in, but I was too preoccupied with moshing and skanking to take notes. The Specials once again left me on a high on the walk back to the condo for the usual socializing and debriefing.

Amount of money spent on food during SXSW thus far: $0.

Tuesday, November 27, 2012

Lydia Loveless deserves more Toronto love

photos by Jeff Ross

Bloodshot Records sent me Lydia Loveless' Indestructible Machine in the summer of 2011, but it wasn't until I heard online friends talking about it towards the end of the year that I got around to listening to it. I'm glad I did, as it was narrowly edged out of my top 10 list.

I caught a snippet of the this young whippersnapper on stage during the Bloodshot party at the South by Southwest Music Festival in Austin, Texas in March, but wanted to hear more. That chance came on Monday night when the singer, songwriter and guitarist brought her rock-solid three-piece band (which includes husband and stand-up bassist Ben Lamb) to Toronto's Drake Underground.

These Columbus, Ohio cats play gritty, rocking country music with hooks. They respect the genre's roots, but add their own punky flair to songs about drinking ("Back on the Bottle"), drinking ("Wine Lips"), "creepy old men" ("Steve Earle"), sex dreams ("Head") and more drinking ("Do Right").

Loveless is tiny but has a powerful voice and comes across like Neko Case's spunkier little sister -- and Neko can be pretty damn spunky.

Want evidence?

"I haven't got my period on this tour yet," Loveless told the audience of just 25 people, almost all of whom were sitting on benches that shouldn't have been placed in front of the stage.


The band had almost no energy to feed off from the crowd and, while the musicianship was sharp and the songs held your attention, I couldn't help but feel that more enthusiastic reactions to each number could have spurred the quartet on to a higher level.

The 50-minute set also included "More Like Them," "Chris Isaak," "Jesus Was a Wino," "Learn to Say No," "Crazy" and "Can't Change Me." I was essentially there to hear Indestructible Machine, but it was good to get a few other songs, too. A couple of choice covers might have been nice to stretch things to an hour. But all in all, it was a satisfying show.

Loveless has a bright future, but she'll have to be patient in building her following. Landing a well-placed opening slot on tour with a like-minded but more popular act would be a good step to enabling her to expand a Canadian audience that I'm sure will appreciate her once they get to know her.